There are mainly two techniques in Chinese painting, which are • Freehand - Shui-mo (水墨) loosely termed watercolor or brush painting. The Chinese character "mo" means ink and "shui" means water. This style is also referred to as "xie yi" (寫意) or freehand style. • Meticulous - Gong-bi (工筆) often referred to as "court-style" painting Artists from the Han (202 BC) to the Tang (618-906) dynasties mainly painted the human figure. Much of what we know of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls get to paradise. Others illustrated the teachings of the Chinese philosopher Confucius or showed scenes of daily life. Many critics consider landscape to be the highest form of Chinese painting. The time from the Five Dynasties period to the Northern Song period (907-1127) is known as the "Great age of Chinese landscape". In the north, artists such as Fan Kuan (范宽), and Guo Xi (郭熙) painted pictures of towering mountains, using strong black lines, ink wash, and sharp, dotted brushstrokes to suggest rough stone. In the south, Dong Yuan (董源) and other artists painted the rolling hills and rivers of their native countryside in peaceful scenes done with softer, rubbed brushwork. These two kinds of scenes and techniques became the classical styles of Chinese landscape painting. |
Chinese Painting Gallery
- view the individual galleries for the most famous Chinese painters

